…microphone selection and placement is as much of the mixing process as driving the console itself…
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In-ear monitors on the live music stage are….
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Over-processing is a valid concern, but we shouldn’t be afraid to use good processing tools when our ears tell us they are necessary…
Understanding Inverse Square Law is essential to several aspects of sound reinforcement theory, including preventing microphone feedback…
…couldn’t change the room, but we did focus the direct sound on the audience only –not the room. Even doing everything possible to extend the apparent critical dist…
…placing purchase orders post-Thanksgiving or even early and mid December for gear they "must” have for Christmas events. REALLY? …
Measuring loudness is often misunderstood and expressed incorrectly, making comparison of measurements between venues or applications improper. Appropriate measurements…
…the audience doesn’t really care what things sound like at your mixing position.
Here are some thoughts that I believe are applicable to all live music mixers from beginners to seasoned pros…
…microphone selection and placement is as much of the mixing process as driving the console itself…
In-ear monitors on the live music stage are….
…microphone selection and placement is as much of the mixing process as driving the console itself…
Read MoreIn-ear monitors on the live music stage are….
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If the end goal is PA playback, who cares how great it sounds on control room monitors?…